Between the Scenes
Between the Scenes delivers a fresh approach to film directing, screenwriting, and editing. Once you’ve got your scenes planned out, this book steps in by shifting your focus to how your individual sequences and scenes connect to each other. You’ll find new ways to create emotional feelings in your audience. From location choices, to character movement between scenes, to the use of music, scene transitions are where the meat is in your story, and now you’ll discover a new pallet of creative possibilities.
Interactive Stories and Video Game Art
The success of storytelling in games depends on the entire development team—game designers, artists, writers, programmers and musicians, etc.—working harmoniously together towards a singular artistic vision. Interactive Stories and Video Game Art is first to define a common design language for understanding and orchestrating interactive masterpieces using techniques inherited from the rich history of art and craftsmanship that games build upon. Case studies of hit games like The Last of Us, Journey, and Minecraft illustrate the vital components needed to create emotionally-complex stories that are mindful of gaming’s principal relationship between player actions and video game aesthetics. This book is for developers of video games and virtual reality, filmmakers, gamification and transmedia experts, and everybody else interested in experiencing resonant and meaningful interactive stories.
Writing for Visual Media
This updated edition of Writing for Visual Media will enable you to understand the nature of visual writing that lies behind the content of all visual media. This unique kind of writing must communicate to audiences through content producers, since audiences don’t read the script. Most media content provides a solution to a communication problem, which the writer must learn to analyze and solve before writing the script. The new edition strengthens the method for creating content and writing in the correct language and established format for each visual medium, including commercial communication such as ads and PSAs, corporate communications, and training. An extended investigation into dramatic theory and how entertainment narrative works is illustrated by examples and detailed analysis of scenes, scripts and storylines, saving you designed to save writers from typical pitfalls and releasing your creative powers of invention. Writing for Visual Media will help you to develop an improved foundation for understanding interactive media and writing for non-linear content, while gaining the tools to effectively connect with your audience like a professional. Purchase of this book includes access to the companion website, www.focalpress.com/cw/friedmann (coming June 5), which provides: Sample scripts and video clips of those produced scripts An interactive glossary of camera shots, movements, and transitions Storyboards, scripts, screenplays, and links to industry resource Instructor materials such as PowerPoint lecture slides, a sample syllabus, and a test bank.
In JUMP•CUT, the follow-up to the authors’ acclaimed Make the Cut, leading film/TV editors and industry veterans Lori Jane Coleman ACE and Diana Friedberg ACE offer editing techniques, insider tips and unwritten rules that contribute to making a great production. They provide both seasoned and aspiring editors with the tools needed to jump•start the next stage of their editing careers, or to break into this challenging industry. Using a mix of practical techniques and career-focused advice, JUMP•CUT covers best practices for editing dramatic motion pictures, episodic television, documentaries and reality TV, taking into account music, sound effects, and dialog. The book is rounded out by interviews with many leading Hollywood editors, including Alan Heim ACE, Michael Tronick ACE and Mary Jo Markey ACE, who share their years of experience and unique paths through the industry.
Poke the Tiger
Suspense with a Camera brings the secrets of suspense out of the shadows. Written for screenwriters and directors by a leading expert on Hitchcock techniques, you'll have fresh insights on crafting suspense. These ideas have never been published before and share revelations that go far beyond the clich� knives, corpses, and blondes that many associate with Hitchcock. Suspense is such a basic part of storytelling it can even be used in romantic comedy!How did Hitchcock manipulate his audience into a state of frenzy? Hitchcock scholar Jeffrey Michael Bays has made this question his life's mission, and is here to share his top tips for escalating suspense and leaving your audience begging for more. Ideal for filmmakers of all kinds, these tips will enhance everyone's creative works -- shorts, web series, TV episodes, and features.
Teaching Visual Literacy in the Primary Classroom
Teaching Visual Literacy in the Primary Classroom shows how everyday literacy sessions can be made more exciting, dynamic and effective by using a wide range of media and visual texts in the primary classroom. In addition to a wealth of practical teaching ideas, the book outlines the vital importance of visual texts and shows how children can enjoy developing essential literacy skills through studying picture books, film, television and comic books. Designed to take into account the renewed Framework for Literacy, each chapter offers a complete guide to teaching this required area of literacy. Aimed at those who want to deliver high quality and stimulating literacy sessions, each chapter contains a range of detailed practical activities and resources which can be easily implemented into existing literacy teaching with minimal preparation. In addition, each chapter gives clear, informative yet accessible insights into the theory behind visual literacy. Containing a wealth of activities, ideas and resources for teachers of both Key Stage 1 and Key Stage 2, this book discusses how children's literacy skills can be developed and enhanced through exploring a range of innovative texts. Six chapters provide comprehensive guides to the teaching of the following media and literacy skills: picture books film and television comic books visual literacy skills genre adaptation. Teaching Visual Literacy in the Primary Classroom is an essential resource for all those who wish to find fresh and contemporary ways to teach literacy and will be useful not only to novices but also to teachers who already have experience of teaching a range of media. Students, primary school teachers, literacy co-ordinators and anyone who is passionate about giving pupils a relevant and up-to-date education will be provided with everything they need to know about teaching this new and ever-expanding area of literacy.
Editing and Special Visual Effects
Most moviegoers think of editing and special effects as distinct components of the filmmaking process. We might even conceive of them as polar opposites, since effective film editing is often subtle and almost invisible, whereas special effects frequently call attention to themselves. Yet, film editors and visual effects artists have worked hand-in-hand from the dawn of cinema to the present day. Editing and Special/Visual Effects brings together a diverse range of film scholars who trace how the arts of editing and effects have evolved in tandem. Collectively, the contributors demonstrate how these two crafts have been integral to cinematic history, starting with the “trick films” of the early silent era, which astounded audiences by splicing in or editing out key frames, all the way up to cutting-edge effects technologies and concealed edits used to create the illusions. Throughout, readers learn about a variety of filmmaking techniques, from classic Hollywood’s rear projection and matte shots to the fast cuts and wall-to-wall CGI of the contemporary blockbuster. In addition to providing a rich historical overview, Editing and Special/Visual Effects supplies multiple perspectives on these twinned crafts, introducing readers to the analog and digital tools used in each craft, showing the impact of changes in the film industry, and giving the reader a new appreciation for the processes of artistic collaboration they involve.
Motion picture production for industry
Jay E. Gordon A été écrit sous une forme ou une autre pendant la plus grande partie de sa vie. Vous pouvez trouver autant d'inspiration de Motion picture production for industry Aussi informatif et amusant. Cliquez sur le bouton TÉLÉCHARGER ou Lire en ligne pour obtenir gratuitement le livre de titre $ gratuitement.
Directing the Camera
On motion picture and television sets today the director spends 90% of his time directing the camera. Professional actors come to set prepared to direct themselves. In spite of this recent change, 90% of all books on directing do not teach specifically how to direct the camera. Gil Bettman's new book, Directing the Camera, fills that void by teaching the elements of craft that contemporary directors use to give their films the visually dynamic look preferred by audiences today. The first half of this book is devoted to teaching a systemised approach that can be used to design the very best moving shot for any dialogue scene, no matter how complex or long. Bettman's "Five Task" approach enables the aspiring director to quickly grasp this difficult element of directorial craft. In the second half the reader is taught how to shoot action sequences using moving and static cameras and the gamut of lenses to achieve the magic trick essential to shooting action -- making stunts that are highly controlled and neither violent nor dangerous look completely mind-blowing.
"Film Editing: Great Cuts Every Filmmaker and Movie Lover Must Know" makes the invisible art of editing visible by using nearly 600 colorful frames from popular, recent films. Written by an editor and the author of "Cut by Cut: How to Edit your Film or Vi